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New Prints Autumn 2008
International Print Center New York (IPCNY)
opening reception: Thursday October 23rd, 2008 6-8
October 23th – November 22nd, 2008
526 West 26th Street, room 824
New York, NY 10001
http://ipcny.org
"The Selections Committee for New Prints 2008/Autumn included Matthew Day Jackson, Artist; Jacob Lewis, Director, Pace Prints Chelsea; Barbara Sahlman, Collector and Artist; Julie Saul, Director, Julie Saul Gallery; James Stroud, Master Printer and Director, Center Street Studio; and Roberta Waddell, former Curator of Prints (1985-2008), New York Public Library.
New Prints 2008/Autumn is the twenty-ninth presentation of IPCNY’s New Prints Program, a series of juried exhibitions organized by IPCNY four times each year, featuring prints made within the past twelve months by artists at all stages of their careers. The exhibition represents a cross-section of some of the most exceptional printmaking today while continuing IPCNY’s commitment to provide an ongoing exhibition venue for contemporary prints and a major source of information about artists working in the medium.
The complete artists’ list for New Prints 2008/Autumn is as follows: Lauren Abshire, Glen Baldridge, J. Catherine Bebout, Marieke Bolhuis, Matthew Brannon, Nicholas Brown, Ryan Burkhart, Susan Goethel Campbell, Stacey Cann, Kerstin Cedell, Phillip Chen, Briar Craig, Luke Dorman, Rick Finn, Quintin Gonzalez, Valerie Hammond, Adriane Herman, Tatana Kellner, Damon Kowarsky, Janet Marcavage, Teresa Gomez Martorell, Jiha Moon, Yoko Motomiya, Ethan Murrow, Heidi Neilson, Tom Orr, Krista Peters, Raymond Pettibon, Sarah Nicole Phillips, Ron Rocco, Nick Satinover, Joyce J. Scott, Scott Stephens, Sarah Sze, Ivanco Talevski, Richard Tuttle and John Yau, Joe Waks, Allan Wexler, Wang Yuhui.
A curatorial essay by Matthew Day Jackson will accompany the exhibition.
New Prints 2008/Autumn includes three artists books and five three-dimensional objects. Highlights of the exhibition include: Lauren Abshire’s Spyglass, a telescope through which a digital print on transparency can be viewed; Glen Baldridge’s Here Come the Miracles, a sixty-four-block, seven-color intaglio wiped relief printed woodcut with two panels upon which “okay” and “fine” are written in a flourished, German-Gothic font; Phillip Chen’s Powhatan, a three panel, six-foot relief etching depicting an unlikely assembly of objects ranging from feathers to flying machines; Susan Goethel Campbell and Stacy Cann ‘s Natural Wonder: Old Faithful and Crowd, are grids exploring the serial nature of printmaking; Krista Peter’s Collapsible Home, a three-dimensional etching with hand coloring that actually lights its windows from within; Sarah Sze’s Notepad, a deconstructed notebook exploding into balconies, stairs, and ladders; and The Missing Portrait, a book designed by Richard Tuttle with text by poet John Yau.
Twenty of the forty-three works are by independent artists. Presses and printshops represented include: BBK Druckwekstatt (Germany), the Brodsky Center, Brooke Alexander Editions, Cirrus Editions, Ltd., Firsthand Editions, Flatbed Press, Flying Horse Editions, Forth Estate, Fresh Hot Press, Manneken Press, Robert Blackburn Printmaking Workshop, Serie Project, Inc., Solo Impression, Tamarind Institute, University of Tampa Press, Wildwood Press and Women’s Studio Workshop. New Prints 2008/Autumn includes prints from coast to coast and abroad, including Australia, Canada, China, Germany and Sweden"

Green
opening reception: Friday October 17th, 5-9
exhibition run: October 17- October 25, 2008
Haven Arts Gallery
50 Bruckner Blvd
Building A
Bronx, NY, 10454

The postcard for the exhibition.
Sustainable Source
curated by Carol Pulin
opening reception: September 29th, 2008
September 29th – October 24th, 2008
Art Gallery at Longwood University
Longwood University
Bedford Building
201 High Street
Farmville, VA 23909
http://longwood.edu/art/

New Prints 2008/Summer: Artist's Commentary
opening reception: Tuesday July 8th, 2008 6-8
June 26th – August 1st, 2008
International Print Center New York (IPCNY)
526 West 26th Street, room 824
New York, NY 10001
http://ipcny.org
The Selections Committee for NEW PRINTS 2008/Summer: Artists’ Commentary included Nick Lamia, Artist and Instructor, Fordham University; Gary Simmons, Artist; Robin White Owen, Producer, MediaCombo; and Martha Wilson, Artist and Founding Director, Franklin Furnace Archive.
NEW PRINTS 2008/Summer: Artists’ Commentary is the twenty-eighth presentation of IPCNY’s New Prints Program, a series of juried exhibitions highlighting contemporary prints made within the past year by artists at all stages of their careers. The exhibition represents a cross-section of some of the most exceptional printmaking today while continuing IPCNY’s commitment to provide an ongoing exhibition venue for contemporary prints and a major source of information about artists working in the medium.
For this presentation, IPCNY invited submissions loosely grouped around the theme of artists’ responses to the current social and political climate. Highlights include: Pterrorists (archetype feathorrorae), handmade paper grenades with silkscreen and hand-colored portraits by Ronna Lebo; an untitled photogravure etching by Glenn Ligon of a neon sign reading “negro sunshine”; Cheney’s Camouflage, a lithograph portrait of Vice President Cheney on an empty french fries container by Eileen M. Foti; a silkscreened box containing a print by Catherine LeCleire entitled A Home For Palestine, and EV [e-ve] III. History, pages from an Estonian history book by Eve Kask digitally printed to remove every letter but E and V from the text.
The complete artists’ list for NEW PRINTS 2008/Summer: Artists’ Commentary is as follows: Desirée Alvarez, Katie Baldwin, Kim Baranowski, Michael Barnes, Stephen Barnwell, Judy Bergman Hochberg, Randy Bolton, Liz Chalfin, Anne Chesnut, Leo Cunningham, Tallmadge Doyle, Eileen M. Foti, Leslie Golomb, Deborah Grant, Daniel Hauben, Sarah Hauser, Emily Henretta, Robin Holder, Cooper Holoweski, William Howard, Butt Johnson, Eve Kask, Michael Krueger, Ronna Lebo, Catherine LeCleire, Yvonne Leonard, Marc Lepson, Glenn Ligon, Joseph A. Lupo, Franco Marinai, Martin Mazorra, Traci Molloy, Nicholas Naughton, Leah Oates, Shani Peters, Sarah Nicole Phillips, Ross Racine, Christopher Rivera, Blake Sanders, Jonathan Thomas, Jeff Wetzig, Dan Wood, and Sang-Mi Yoo.

Emergence: Creative Pioneers in Uncharted Territory
opening reception: Saturday May 31st 2008
May 31th-July 26th 2008
Exhibition Hours: 11:00am – 6:00pm on Saturdays and Sundays only
Building 14 / Commander’s House (yellow house at the end of the path)
Governors Island (off the tip of Manhattan)
New York, NY
http://figmentnyc.org/emergence/index.html
"During a nine-week period, the historic "Building 14" (c.1900) on Governors Island in New York Harbor will be transformed from an abandoned outpost into an interactive, three-dimensional living exhibit, featuring contributions from more than 30 artists/art collectives working in a diverse range of media, including sculpture, installation art, aerial kinetic sculpture, photography, sound art, and interactive multimedia. Emergence will be a show characterized by transformation. Using the theme, "Creative Pioneers in Uncharted Territory," exhibitors will use the context, history, and recent steps towards revitalization, or "emergence," of Governors Island as the source of inspiration and departure for the creation of participatory art exploring the human condition. The installation, which places a strong emphasis on audience and artist interaction and civic/community participation, will change over the course of the summer as a result of the interactive elements and the engagement of visiting participants.
The Emergence opening coincides with the grand opening of Governors Island to visitors for the 2008 season, demonstrating an ongoing partnership with the Governors Island Preservation and Education Corporation (www.govisland.com) in their efforts to engage the public in contributing to the island’s rebirth. Emergence will address the past, present, and future of this shared, public amenity, including the history of those who occupied the island and current economic, political, environmental and social concerns. These creative explorations will reveal new inventions, manifestos, and fantasies, which will assist in the ongoing transformation of our understanding of the uncharted theoretical territories of self, place, change and time.
The artists and art collectives who make Emergence possible include the following individuals and groups: Anne Arden McDonald, artcodex, Asha Ganpat, Avant Car Guard (South Africa), Chris Jordan, Christian Nerf/Barend de Wet/Douglas Gimberg (South Africa), Damon Hamm, Dana Salisbury, Erik Fabian, Eugenia Yu, Friendly Falcons & Their Friend the Snake, G-77, Jason Van Anden/Nate Hawks, John Krill (South Africa), John Walter, Michael Alan, Monica Muller (Switzerland), Peripheral Media Projects, Pornj Diamond Cell, Sarah N. Phillips, Saviour Scraps, Tara Parsons, Tim & Martin Dockery, Triangle Project (Denmark, Istanbul), and Urban Homesteading Project. Emergence is curated by Johan Kritzinger, Joyce Manalo, Elke Dehner, and Audrey Boguchwal.
Emergence is a project of FIGMENT 2008, held in partnership with the Governors Island Preservation and Education Corporation (GIPEC). FIGMENT is a 3-day participatory arts event on Governors Island in New York Harbor on June 27-29 (www.figmentnyc.org). FIGMENT is a project of Action Arts League, and is produced by a coalition of volunteers in partnership with The Pure Project. Emergence is supported by a grant from the Black Rock Arts Foundation."


Connected Unconscious
opening reception: Thursday April 17th 6-8
April 17 – May 11, 2008
Brooklyn Academy of Music (BAM)
Peter Jay Sharp Building
30 Lafayette Avenue
Brooklyn, NY 11217
http://www.bam.org/
1800 Frames Take 4
opening reception: Saturday April 12th 2008
April 12th-May 30th 2008
City Without Walls
6 Crawford Street
Newark, NJ. 07102-2412
www.cwow.org
Interaktiv
November 8th – December 15th, 2007
Walsh Gallery at Seton Hall University
South Orange, NJ
Fall '07 Exhibition
curated by Mary Temple
September 10 – November 11, 2007
opening reception: Wednesday, September 19 from 6-8 pm
Lower East Side Printshop, Inc.
306 West 37th St. 6th Fl.
New York, NY 10018
Shana Agid
Deborah Grant
Max Libroiron
Kakyoung Lee
Sarah Nicole Phillips
Melinda Yale
Liz Zanis

Artifact-Metafact: artists exploring the transformations of visual symbols
September 8-30, 2007
opening reception: Saturday September 8, 7-9pm
Repetti
44-02 23rd Street, 4th Floor
Long island City, NY 11101
http://www.repetti.org
13 artists, working in a variety of mediums, interpret iconic imagery into a contemporary visual dialog with the viewer. Flags, video game imagery, famous artworks, geometric forms, and surreal dream imagery are all subject to critical, yet beautiful, dissections. Specifically, the artists will explore a symbol’s potential to exist both in physical reality (artifact), and in our collective memories (metafact). What are the conditions surrounding this transformation?
Curated by Tamas Veszi and Carla Aspenberg, this exhibition serves as a follow up to the 2006 Brooklyn College MFA show, Plan B, which sparked wide media coverage after it was censored and then improperly shut down by NYC Parks Department (last month the artists were issued a formal apology and cash compensation). Plan B Prevails, was eventually reopened, although greatly changed by the new context of a different venue, and media exposure. Sarah Nicole Phillips turned a Parks Department logo upside-down in quiet protest, and born was the concept that would become Artifact + Metafact, where context dictates the meaning of an image. How can the most widespread of all imagery also be that which is most open to interpretation of meaning?
In Artifact + Metafact, Ms. Phillips incorporates stained glass and traditional religious imagery to reflect the growing interest in environmental sustainability among many Evangelical Christians. John Avelluto says his new series of paintings incorporates “the logos of the top 50 corporations and other symbols used to distinguish the good guys from the bad.” Inspired by a dream of house plants in a baby’s crib, Megan Piontkowski has an installation of sewn and stuffed jade and aloe plants. Lieven De Boeck says he plans to present, “a white drawing and text made by
pricking holes through the paper. The text repeats Article 5 of the Declarations of Human Rights, that ‘no one shall be subjected to torture or to cruel, inhuman, or degrading treatment or punishment.’”
Repetti is open Wednesday to Sunday from 12 to 5pm, and is located at 44-02 23rd St. Long Island City, NY 11101. (718) 670-3226. Subway: E,V to 23rd st. Ely. 7,G to Courthouse SQ.
8.03.07
Staring Therapy
Exhibition: August 3 – September 1, 2007
Location: Space 1026 – 1026 Arch St. Philadelphia PA 19107
Reception with the artists: Friday August 3rd, 7-11pm
Toronto artists Victoria Kent, Seth Scriver, and Sandy Plotnikoff gathered works for this exhibition by sending out a pre-recorded phone message* to friends and contacts around the globe. People responded with small artworks and found objects, which will form an installation to be viewed through specially decorated Staring Tubes.
Staring Therapist Victoria Kent will be present at the reception to welcome visitors, with surprise guests providing musical entertainment.
The artists involved in Staring Therapy are fixtures of a Toronto art scene known for its peculiar (and always free) happenings. For this show, they have turned Plotnikoff's basement and yard into a "Value Village" thrift store, where they've held weakly yard sales with musical guests and free airbrushed personalization of goods. Held throughout the summer, the sales have helped them raise the money they needed to make their trip to Philadelphia possible. On opening night, they will bring their final yard sale of the summer to Space 1026; donations of used goods for the yard sale may be dropped off at the gallery sometime before August 3rd.
Citysol, July 12-15, 2007
Solar1
Stuyvesant Cove Park
New York, NY
http://www.solar1.org

Why I Ride: The Art of Bicycling in New York
May 3–June 3, 2007
Opening Reception: May 3rd, 5– 8pm
Several locations:
Lower Eastside Girls Club gallery/cafe 56 E. 1st St.
Bicycle Habitat 244 Lafayette St.
NYC Velo 64 Second Ave.
Trackstar 231B Eldridge St.
http://www.whyiridenyc.org/
This independently organized, multivenue exhibition showcased New York artists who are inspired by the freedom and mobility that the bicycle makes possible in a congested metropolis. These artists view interactions with neighbors and strangers — both friendly and otherwise — as preferable to the isolation that grows out of our sprawling, auto-dependent environment.
The Bicycle in New York, From an Artistic Standpoint
By Colin Moynihan, 5/9/07 New York Times

L'Art + Anarchie (Art + Anarchy)
May 3-13, 2007
6750 Esplanade Metro Parc
Montreal, PQ
WINTER '07 EXHIBITION
Guest-curated by Joanne Greenbaum
January 15 – March 4, 2007
Opening reception: Thursday, January 18, 6-8pm
Elizabeth Blomster
Sebastiaan Bremer
Michael Conlin
Erica Mapp
Sarah Nicole Phillips
Shino Soma
Lower East Side Printshop, Inc.
306 West 37th Street, 6th Floor
New York, NY 10018

Repeat After Me – Artists exploring notions of self replication
January 7 – 28, 2006
Opening Reception: Saturday January 7, 6-10pm
Repeat After Me will be on view at the non-profit arts organization
Flux Factory, 38-38 43rd Street, Long Island City, Queens, NY 11101
Gallery hours are Friday-Sunday, 12-6pm or by appointment
Self-replication is a process where something makes a copy of itself. It is a non-sexual form of reproduction, sometimes needing a host but never a partner. This can be seen in the most basic living cells that comprise our bodies to biological and digital viruses which replicate to create unseen predatory masses. Eric Drexler, an American engineer well known for his theories in the field of nanotechnology, feared the possible viral nature of microscopic machines. He coined the term “gray goo” to describe the condition of Earth after groups of molecular sized self-replicating machines were programmed to devour all carbon containing life forms (self-assembling robots do exist but they are helping NASA colonize the moon, not cause the apocalypse).
What if languages, cultures and even desires could also be seen to act virally? The controversial field of memetics defines a meme as a piece of thought that replicates itself in the human mind by means of imitation. Memes are viewed as the evolution of human ideology and can be anything from fashion trends to popular concepts. But what happens when a dominant meme occupies many minds at once and what happens when beliefs are no longer seen as individual decisions but invasions by independently replicating units of culture?
Reproducing the self can be seen directly as a reproduction of one’s own identity. All self-replicating entities go through cycles of evolution and mutation; the artist who mutates their identity often creates disturbing and unsettling changes and effects. Replicating one’s own identity can parallel the idea of human cloning, seen by some to be an unnatural and even perverse act. Mutation leads to a shifting and changing of the identity where the humanness of the subject is often uncertain, leading to the ultimate question: if we are not human, then what are we?
Repeat After Me features the works of Jorann Abusland, Carla Aspenberg, Jill Auckenthaler, Jeremy Avnet, Zoë Cohen, Kerry Downey, Carl Ferrero, Carrie Fucile, David Gitt, Soren Goodman, Farley Gwazda, Shanan Kurtz, Meghan McKnight, Ian Montgomery, Brandon Neubauer and Sarah Nicole Phillips.
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